Dont you just love Dancing?

So dancing is something that has been around for a long time, I’m not really sure how long, but I’m pretty sure it’s been thousands of years. Now when i had a track on in the car a few days ago which was Tears for Fears - Everybody wants to rule the world, my mum reacted in elation that i had put this track on a CD, and she does every time she hears a track on one of my CDs that she affirms with herself in her memory. Now i always have a wide variety of music tracks on CDs i make, as well as various audio clips of Bernard, Sunette and other destonians chucked in between tracks. 

Anyway what i found interesting about my mums reaction to this track is that she started dancing a "specific dance" that she tells me everyone did back in the day to the track, kind of like a trademark dance that goes with the track. I mean there is a lot of tracks where you can see that this is clear, nearly every track in all genres of music tends to have a specific type of dancing that we must apparently adhere to, otherwise it is seen that we are not connecting to the track as well as someone who is doing the specific dance along the system rules.

And when we look further at music from a wider perspective, it is clear to see that we humans tend to put systematic rules and laws on how you must dance to a specific track in order to be considered acceptable in the social circles we find ourselves in. I mean I can recall so many times in the past in my memory where I have been at a party or out in a club, and people have begun ridiculing someone just because they are not doing the specific dance of the track, the Macarena specifically I remember girls laughing in a spiteful manner at any girl who was not able to do this dance to a tea. Fascinating – we are so intensely programmed, which is proven in our ridiculing of those who are not matching the code for acceptable dancing so to speak, which also exposes how the system ridicules something that is different, ridicules those that make a stand to stop and change the rules of the system. I mean this is why 99% of all my friends from the past fear me, because they fear what I do with desteni, they are within that of course only affirming to me that they were only ever friends with a picture of me as my personality not actual real friends, and that I am in fact changing, they never call me anymore which is definitely best for all, because they know what they are going to get – a being who is not willing to accept the system rules, not willing to accept pre-programming as what is accepted and allowed. 

Anyway so this point of dancing is interesting, because when I look back in my memory, some ex partners I have had, and various friends especially females that were dancers went to dance school, or dance lessons of some sort. What is interesting within that is that the system only teaches dancing as a form of regurgitating what has already been done billions of times over, because it is profitable, only teaching what was successful in the past to make money. It is all about money which is totally unacceptable, that kids are being taught how to match a famous persons dance moves in order to keep the system running along the lines of separation, turning dancing into a profit based monstrosity. Parents know the money that is involved in music/dancing and so they say to their kids – “go on be a famous dancer, be like Shakira or Usher” which then brings up the whole point, that If there was no money in dancing who would be still doing it? A lot would not be doing it I can ensure you, especially exploitation of women as within stripping/pole dancing industry - I know for a fact from females I know that are involved in the industry, one very closely, that if it were not for the money, then they would not be a stripper as simple as that – obvious isn’t it, this system of capitalism, elitism only breeds exploitative abuse of any and all beings that don’t have money.   

I do not accept and allow this, it is totally unacceptable, and I think it’s fascinating to note how the dancing industry would change in an equal money system. I can see that immediately it would expose who really actually enjoys dancing, or who was only ever in it for money. Also I can see the government would be promoting Self-Expression in dance, not the reliving of memory as other peoples dance moves, and apparent “trademark” dance moves to specific tracks. Competition would be removed also, because it is clear in this current system that we humans deem it acceptable to for two people to have “dance battles” where the whole point is to beat your opponent. This is totally unacceptable, which is why in an equal money all forms of competing through dance as a big money maker would be banned by the government, because it promotes separation which is not acceptable – at the end of the day dancing is supposed to be actual fun, not war games. So the government would make sure that is clear that dancing has no rules, no limitations, that it is to be a point of actual enjoyment, of self-expressing self as physical movement unconditionally – not attempting to press repeat on the systematic dance, as a form of getting attention, dancing for others not dancing for self. And everyone would obviously have the equal opportunity to be a professional dancer, because dance school fees would be paid for by the government, and these schools would be promoting and training kids to express themselves unconditionally within dance. Also in an equal money system the exploitation of women as is seen in the dance/stripper/pole dancing industries would be completely outlawed and banned with immediate effect, because it is unacceptable objectification of women as sexual objects, which in fact is utter bullshit, because women are beings like anyone else, not objects placed for men’s sordid sexual gratifications in dancing. 

So whenever I dance to a track, I check myself for reactions in self-honesty. Check that I am doing the dancing unconditionally for me as myself as life, and no other reason. That I am moving myself physically, expressing myself as me, and that I am not attempting to compete with another, or impress another, that I am not replaying systematic “trademark” dancing of the specific track or music, but rather that I move my body in equality with the sound resonance of the track, that I am enjoying expressing myself here as the physical where there is no limitations and separations from the music track can exist.